Heritage encompasses all that we experience in everyday life. It is far more fluid in how it is experienced by society than what we perceive it to be. It is where ideas of individual identity and the role of nation states connect. It is who we are as individuals and how we relate to one another in society.
South Africa General
The first thing I did when researching this piece of writing was to look at a modern physical map of South Africa and envision that the urban areas and the modern road network shown thereupon were on a thin film that could be peeled away. What remained on the under layer were the physical features such as the coastline, rivers, escarpments and mountain ranges. It was a clean canvas on which I could put settlements on, but before I could do this I had to determine a date in history.
Below is a fascinating article on the origins and development of the famous Chappies brand. It was written by well known journalist Lucille Davie on 10 March 2003 and appeared on the City of Joburg's website. Read all the way to the bottom for a 2018 update. Click here to check out more of Davie's work.
Worldwide early photographs have enjoyed a restoration to their rightful position in the history of art, photography and people – especially in Europe, America and Australia. Sadly, antique photographs (more than 100 years old) are still insufficiently preserved and appreciated in South Africa.
In the article below, Adrian de Villiers (Chief Architect Heritage Advisory Services at the Department of Public Works) explores the history and legacy of the brickfields of John J Kirkness. The piece first appeared in the December 2017 edition of The Arcadian. Thank you to the Arcadia Residents and Ratepayers Association (ARRA) for giving us permission to publish.
In 1884, before Johannesburg ever existed and when herds of game still roamed free across the savannah, a young man left his home in the Eastern Cape in search of adventure in what was then the Eastern Transvaal (now known as Mpumalanga). His name was Percy Fitzpatrick (1862-1931) and he went hoping to find his fortune on the newly proclaimed goldfields.
In 2013 Lucille Davie set out on an adventure of a lifetime exploring some of the spaces and places visited by the famous naturalist William Burchell. She compiled a wonderful record of her journey which we are honoured to publish below. The piece first appeared on the Media Club South Africa website on 23 May 2013. Click here to view more of Davie's work.
The Most Endangered Cultural Heritage Sites campaign is an initiative of the Heritage Monitoring Project (HMP) to identify and raise awareness of cultural heritage sites that are at significant risk from natural or human made forces.
The value of the photographic postcard, a unique historical document in itself, has been vastly underestimated by historians. Today, these types of photographs are of immense value in both photographic as well as social historical research.
It was not until recently that the author himself started to incorporate these long-undervalued photographic formats, also commonly referred to as the Real Photo Postcard (RPPC), into his own photographic research collection.
Flo Bird, Founder of the Parktown and Westcliff Heritage Trust and founder member of the Johannesburg Heritage Foundation was a surprise guest speaker at the 17th annual symposium of the Heritage Association of South Africa held at Heidelberg last week. Flo’s speech was given at the remarkable NZASM constructed Heidelberg Station.
Below is a short but fascinating history of the whaling industry in South Africa. It was compiled by C De Jong and first published in the 1976 edition of Restorica, the journal of the Simon van der Stel Foundation (today the Heritage Association of South Africa). Thank you to the University of Pretoria (copyright holders) for giving us permission to publish.
2017 has not been a good year for heritage in South Africa. From fires in the Western Cape that claimed the 1792 Du Toit Manor House in Paarl, among others, to the theft of the Thulamela gold collection at the Kruger National Park in December 2016 (only made public knowledge in June this year), the losses have been significant.
Huge was the surprise when the author received multiple enquiries on a Prisoner of War (PoW) camp photograph that was included in a recent article on photography during the Anglo-Boer war (click here to view).
This Diyatalawa PoW camp photograph has the names of all 54 men captured on the back thereof (See Photo 5 below).
Joseph Calder Munro, a Scot by birth, made a significant contribution to Pretoria’s photographic history. Many of his photographs have survived and can be found in various national and private research collections. Photographs produced by him still surface on a regular basis - mainly at antique fairs.
In 2014 the monthly magazine “Civil Engineering” (published by the South African Institute of Civil Engineers) ran a series of articles entitled “A brief history of transport infrastructure in South Africa up to the end of the 20th century” (comprising ten chapters issued from January/February to November 2014), which gave an interesting account of the history of our roads, railways, harbours and airports. The author of the articles was Dr.
Which one of the two above is the happier sitter? Would it be old Hottentot on the left (Carte-de-Visite photograph by Port Elizabeth based photographer J.E. Bruton- Circa 1878) or the lady with the comical facial expression (Carte-de-Visite format photograph – photographer unknown – Circa 1880)? Psychology students often have to attempt to link an emotion to the expression observed in others. Could her expression be viewed as anger, disgust, embarrassment or simply laughter that is being suppressed?
Little recognition has been given to Henri Ferdinand Gros for his outstanding contribution to the South African photographic history between 1869 and 1890. No other photographer has contributed to the then Transvaal photographic history like Gros. Without the Gros photographs, we would not have had an idea of what Pretoria looked like between 1875 and 1890. Gros certainly had the insight to identify the value of pictorial documentation.
This last week brought a spectacular media scoop to Steve Humphrey of the BBC when an anonymous tip off (presumably telephonic) led him to a bell shaped parcel left at the entrance to the Swanage Pier in Dorset, England. The BBC team was on hand to film the careful unwrapping of the parcel to reveal a ship's bell with the word “Mendi” deeply etched in capital letters on the side (main image from Steve Humphrey and BBC TV South). The bell of the SS Mendi, lost in World War 1, had been found.
Photography is the only “language” that is understood worldwide, resulting in a bridge being created between nations and cultures – it connects the family of humanity. Independent of political influence – where people are free – it provides us with an honest reflection about life and events, allows us to share in the hope, joy and despair of others, and potentially lightens political and social burdens. This way we become witnesses, not only of humanity, but also of the brutality of human kind (Gernsheim as quoted in Sontag 1977).