South Africa General

A modern photographic phenomenon that has emerged is “found photographs” – these include everyday snapshot photographs taken by others years ago, but have subsequently been discarded. These discarded photographs can today be bought up cheaply by photographic curators at car boot sales, charity organisations, fairs or auctions (online auctions included). These photographs are typically found in old photo albums, boxes with photo-odds or photo sleeves holding old prints.

At 05:30 on the morning of 11 November 1918, in a railway coach standing at a remote railway siding in the heart of the forest of Compiègne, Germany signed the Armistice Agreement that brought the war to an end.

Soon after, telegraph wires were humming with the message: “Hostilities will cease at 11.00 today November 11. Troops will stand fast on the line reached at that hour...”.

Robert Crawley, the 7th Earl of Grantham (a British peer) is a fictional character in the popular television period drama, “Downton Abbey”, set one hundred years ago. His family seat is Downton Abbey, Yorkshire, where he lives with his wife Cora, the Countess Grantham and their three daughters, the Ladies Mary, Edith and Sybil. He, being one of the landed gentry, generates his major income from tenant farmers farming on his Estate which he inherited from his father the 6th Earl.

In the article below, journalist Lucille Davie delves into the powerful story of struggle stalwart Albertina Sisulu. The piece was originally published on 27 December 2008 on the City of Joburg's website. Click here to view more of Davie's work.

Albertina Sisulu, or MaSisulu, the anti-apartheid stalwart, midwife, beloved member of the ANC, and devoted wife of the late Walter, has spent most of her life in Johannesburg.

I wrote about the Johannesburg Lithograph (circa 1937) below by Charles Ernest Peers in a recent article on The Heritage Portal - click here to view. Tracking down Peers’ presence in Johannesburg at this time led me in search of Peers, the artist. Peers was a notable and prolific artist in his lifetime. He is mentioned in the Esme Berman (1993) and has a biographical listing in Grania Ogilvie (1988).

When Sobukwe left Healdtown Mission Institute for the next stage of his education, he found that most of the country’s universities were closed to blacks. Only the universities of Cape Town and the Witwatersrand gave limited access to black students. The premier institute for blacks was near Alice – the South African Native College at Fort Hare.

By the end of March 2018 the 14-member Africa Media Online team resident in Alice, Eastern Cape and working in the National Heritage and Cultural Studies Centre (NAHECS) at the University of Fort Hare, had completed the digital capture of all the material assigned to them in the current phases of the ANC Archives digitisation project.

Heritage encompasses all that we experience in everyday life. It is far more fluid in how it is experienced by society than what we perceive it to be. It is where ideas of individual identity and the role of nation states connect. It is who we are as individuals and how we relate to one another in society.

The first thing I did when researching this piece of writing was to look at a modern physical map of South Africa and envision that the urban areas and the modern road network shown thereupon were on a thin film that could be peeled away. What remained on the under layer were the physical features such as the coastline, rivers, escarpments and mountain ranges. It was a clean canvas on which I could put settlements on, but before I could do this I had to determine a date in history.

In 1884, before Johannesburg ever existed and when herds of game still roamed free across the savannah, a young man left his home in the Eastern Cape in search of adventure in what was then the Eastern Transvaal (now known as Mpumalanga). His name was Percy Fitzpatrick (1862-1931) and he went hoping to find his fortune on the newly proclaimed goldfields.

The value of the photographic postcard, a unique historical document in itself, has been vastly underestimated by historians. Today, these types of photographs are of immense value in both photographic as well as social historical research.

It was not until recently that the author himself started to incorporate these long-undervalued photographic formats, also commonly referred to as the Real Photo Postcard (RPPC), into his own photographic research collection.

Flo Bird, Founder of the Parktown and Westcliff Heritage Trust and founder member of the Johannesburg Heritage Foundation was a surprise guest speaker at the 17th annual symposium of the Heritage Association of South Africa held at Heidelberg last week. Flo’s speech was given at the remarkable  NZASM constructed Heidelberg Station.   

Below is a short but fascinating history of the whaling industry in South Africa. It was compiled by C De Jong and first published in the 1976 edition of Restorica, the journal of the Simon van der Stel Foundation (today the Heritage Association of South Africa). Thank you to the University of Pretoria (copyright holders) for giving us permission to publish.

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