Carol Hardijzer

Every loved domestic dog, no matter how humble their origin, remains the best dog in the world in the eyes of their masters.

We affectionately refer to dogs as our best friend. They also happen to be humankind's oldest "friend" in the animal kingdom in that Canis familiaris, the domestic dog, was the first animal species to be domesticated by humans.

Photographic research, which includes the use of original photographic images, transcends disciplinary borders and combines fields of visual history, visual studies, visual anthropology and art history.

Herein lies an ethical responsibility – the avoidance of stereotypical or abusive representations of people portrayed in these images. Readers, of course, bring their own knowledge, emotions, and imagination, thus no author can fully control how their work is going to be interpreted (Gordon & Kurzwelly, 2018).

Worldwide, where precious mineral resources were discovered, buoyant photographers formed part of the desperate rush that ensued. This trend of fortune seekers, feverish migrating to these newly announced locations was also observed during the South African gold rushes at Pilgrim’s Rest (1873), Barberton (1883) and Johannesburg (1886).

During mid-2019, an exceptional Anglo-Boer War (1899 – 1902) collection of artefacts went up on auction at a Johannesburg based auction house. Photographic images in this collection fetched high prices. However, images that high-end bidders did not pursue with the same vigour were magic lantern slides in the collection. Why would this be?

 

With reference to the early Durban based photographers Caney, one author recently confirmed the challenge in “disentangling” the relationship between the various Caney individuals.

The number of Caney photographs identified in the Hardijzer Photographic Research Collection also confirms that closer scrutiny was required as to who these photographers were. The photographs in this research collection, all dating from prior to 1905, include studio-based images as well as images captured during the Anglo-Boer war.

Toys, like play itself, serve multiple purposes for both humans and animals (just picture the joy created whilst watching a kitten at play with an arbitrary toy).

Toys provide entertainment and fun whilst fulfilling an educational role at the same time. Although unlikely to have been the original intent, they also enhance cognitive behavior, stimulate creativity and aid in the development of physical and mental skills which are necessary in later life.

Recently the author acquired a Victorian Photo album which contained a number of Carte-de-Visite format photographs of Berlin Mission Society missionaries, all attached to the German Lutheran church in Berlin (dating from between 1865 and late 1870s).

Many registered trademark ephemera of yesteryear have collectors competing at auctions, markets and antique fairs to find that one elusive, or previously unidentified item for their collections.

On such trademark is Kodak. Registered as a trademark during 1888, Kodak, which was also present in South Africa some years later, undoubtedly was one of the more successful brand names within both the history of marketing and photography. 

First National Bank (FNB) just celebrated their 180th birthday on 15 December 2018. What makes this particularly significant is that the FNB storyline runs in parallel with South African history. 

Following the true corporate trend, FNB, as it exists today, came about following a complex tapestry of buyouts and amalgamations to become the well-established bank it is today. This journey certainly did not occur without any upheavals – but the bank managed to stand the test of time.

In a recent article published by the author (click here to view), reference was made to a modern photographic phenomenon, namely “found photographs”. In short: “Found photographs” are discarded vintage photographs typically found at charity stores, car boot sales, flea markets or antique fairs. As a single image, any “found” or the converse thereof, “lost” photograph, has sadly lost its original context when viewed by a total str

Recently the author was in Port Elizabeth searching for photographic material at book dealers, used goods and antique shops in town. At one of these stores he posed his standard question to a dealer: “Do you have any old photo-stories”? With the dealer not understanding the question, the author then explained what they were. To which the dealer responded: “Oh, you are referring to Café Bibles!”.

This article reflects on the influence of South African ethno-photographs on the picture postcard industry together with a reflection on their individual histories.

Most picture postcards at the turn of the 19th century had a strong photographic theme where publishers of the picture postcard relied on the original photograph for commercial purposes.

1. Introduction

During the early commercially embryonic era of photography, photographers from all over the world attempted to generate an income from this new art form. Many aspirational photographers arrived and settled in South Africa from countries such as Ireland, England, Australia, Switzerland, Holland, Latvia and Germany, to mention but a few. 

During Pretoria’s first 20 years of existence it had no public parks. The only spaces accessible to the public at the time were the Church and Market squares.

As early as 1874, the space where Burgers Park is located today, was allocated to become Pretoria’s first botanical garden.

Today a declared heritage site, the park was only officially named Burgers Park during 1894.  

The first 10 years (1874 to 1884)

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