Nita Spilhaus by Peter Elliott, published by Peter Eliott, edited by Glenda Younge, Illustrated, 194 pages. Cape Impressionist painters were a small group of Cape artists who lived and worked in the Cape and were prolific and productive in the early twentieth century. In their outdoor scenic paintings they sought to capture the special light and colours of the magical Cape landscape. The portraits are even more interesting.
South Africa General
In 1941 the government printer of the Union of South Africa published the book, The Monuments of South Africa, edited by C van Riet Lowe. (174 pages, illustrated) First edition. The first edition is interesting as it included an account of the work of the Commission for the Preservation of Natural and Historical Monuments, relics and antiques during the period 1935 to 1940. The second point of interest is a pasted in map showing the 102 monuments, relics across the then 4 provinces (see image below).
The Barnett Collection A Pictorial Record of Early Johannesburg, published by The Star to commemorate the City's 80th year (Johannesburg, 1966). This large volume of sepia toned photographs of early years of life in Johannesburg was such a success that it became volume 1 of the now much sought after two volume set. The Barnett brothers, David and Joseph were photographers of the town. Their collection of over two thousand prints became a valuable and essential photographic record and resource of the emerging town and pioneering gold mining initiatives.
Hannes Meiring: My Country in Line and Colour - An Unconventional Look at South African Architecture. Fernwood Press, 2004. Meiring was a fine architect who died in 2010. He was a sensitive conservation and heritage professional. Published some 11 years ago this finely produced volume is a compilation of many of Meiring's architectural sketches and water colours .
It would be true to state that, from a legislative and practical point of view, historical conservation in this country is an unmitigated disaster, and has been one since the demise of the old National Monuments Council in 1999. For all its ideological faults and Broederbond associations the NMC had a national infrastructure which its successor, the South African Heritage Resources Agency, SAHRA, had every opportunity of taking over and transforming to meet the needs of the new South African democracy.