Anglo-Zulu War

Battle of Isandlwana painting - via Ditsong Museum

Physical combat has to be the most exhilarating experience that any man can have. Obviously, all-out effort, commitment and ferocity are required to win the day. None have displayed this more effectively than the Zulus, and their reputation is legendary. However, over some time various authors have postulated that, apart from an adrenaline-induced state of hyper-aggressiveness, the Zulus were “doctored” with hallucinogenic material to enhance these effects prior to engaging in battle.

"An ancient song, as old as the ashes, Echoed as Mageba’s warriors marched away." South African Contemporary Folk Song. Johnny Clegg and Savuka.

Colonel Anthony Durnford is probably the most enigmatic, controversial and colourful character associated with the British defeat at Isandlwana. Incontrovertibly the senior officer present, history has blamed him for the disaster for failing to exercise effective command and control.

 

A Northumbrian by birth, Dr Prideaux Selby was already a middle aged bachelor when he sailed with the Byrnes' settlers to South Africa in 1850. He became the first doctor and Justice of the Peace to the Boer families in the Biggarsberg and lived at “Mooiplaas” for 25 years. He was held in high regard and loved by the Boer families – so much so that the names “Prideaux” and “Selby” were used extensively by the Boer families to name their children.

Major William Knox-Leet was born in Dalkey, County Dublin on 3 November 1833. The youngest son of a Episcopalian rector, he graduated from Trinity College in Dublin, Ireland and became an ensign in the 13th Prince Albert's Light Infantry in July 1855. In 1858 he was sent to British India where he saw action in several engagements during the Indian Mutiny. From 1867 until 1872 he served as an arms instructor in England. In July 1872 he became Deputy Assistant Adjutant and Quartermaster-General in County Cork, Ireland.

A documentary currently in the making will take a fresh look at the shooting of a classic film made in KwaZulu-Natal in the Sixties. And the producers are appealing for help. Stephen Coan reports.

Plans are afoot for the shooting of a feature length documentary Zulu and the Zulus in KwaZulu-Natal next year.

In researching this article, it became evident that hardly any photographer active during the Anglo-Zulu War (AZW) period has been written about. In the majority of sources consulted, photographers also generally have not been acknowledged where their work was used – be that as photographers out in the field or studio based photographers. This may be a simple matter of us not being aware of who the photographers were in the majority of instances.

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