After many years of depressing headlines there is finally some good news for the Germiston Carnegie Library. The following fascinating piece has been compiled by Nicholas Clarke, the heritage consultant on the project. [Originally published 13 October 2014]
Many a distressed post dating over the past two years can be found regarding the disastrous state of preservation of the old Carnegie Library in Germiston as well as the lack of care for the Commonwealth Memorial (also known as the Cenotaph) to the Great War (World War I) on Market Square. Both stand, seemingly abandoned, awaiting new use. The site was fenced of by Ekurhuleni Metro to ensure that the site not be further vandalised.
The abandoned Carnegie Library (Nicholas Clarke)
The good news is that plans are afoot to restore the Cenotaph and transform the ruins of the Carnegie Library into a new Civic Theatre. Plans have been in the pipeline for some years and many people in Germiston are aware of indications that the project would have been completed by June 2012. As with most things in life complications emerged during the process, not only in terms of the administration of the project, but also in terms of physical restraints such as soil conditions.
Site works are planned to start! The stabilisation of the extant walls the first priority. To this aim demolition of the non-descript and much altered back walls of the library are set to start to allow for the establishment of permanent bracing structures which will not only protect the walls during construction but remain permanently to ensure the stability of what remains of the Germiston Carnegie Library.
The Germiston Carnegie Library
Construction of the Carnegie Germiston Library was made possible by the Carnegie Corporation, a philanthropic trust based in the USA. Andrew Carnegie established the Carnegie Corporation in 1911 to promote the advancement and diffusion of knowledge and understanding. As part of that endeavour, the Corporation has been financially supporting libraries for over a century. The Corporation funded the contraction of libraries in English-speaking countries and colonies. Between 1883 and 1929 a total of 2509 libraries were constructed of which 12 were built in South Africa. These were: Barberton (1911), Benoni (1913), Germiston (1915), Harrismith (1907), Hopetown (1908), Krugersdorp (1917), Moorreesburg (1911), Muizenberg (1909), Newcastle (1913), Potchefstroom (1912) and Standerton (1911).
The decision to fund the construction of a library in Germiston was made on 16 March 1915 when a grant amounting to $26 407 was granted towards its contraction, the largest amount for any Carnegie Library in South Africa.
But who was Andrew Carneigie? Born in to poor parents in Scotland in 1835, he emigrated with his family to the United States of America in 1948. His first job was as telegrapher, but being a shrewd businessman by nature, quickly started investing in new infrastructural developments, especially those associated with the rapid rail expansion of his day. By the 1860's he had already amassed a small fortune, but grew his financial interests by investing in oil and in selling bonds for American industrial projects in Europe. His real fortune, however came from his 1901 sale of his Pittsburgh based Carnegie Steel Company to JP Morgan for a then staggering US$480 million. With this fortune secure he retired at the age of 66. He devoted the rest of his life to philanthropy, funding the construction of the New York Carnegie Hall, and setting up the Carnegie Corporation of New York in 1911 with the aim: to promote the advancement and diffusion of knowledge and understanding. He was a social activist and anti-imperialist. He once offered the peoples of the Philippines US$20 million so that the Fillipine peoples could buy their independence from the United States, who had just bought the islands from Spain for the same amount!
Of course the request for the corporation to fund a library had to come from the towns and cities. The first proposals to establish a library for Germiston dated to 1905, but it was only by 1909 that the first municipal library was established in a small room in the municipal office. The Carnegie Corporation funding changed all that and by 1922 the new library, designed by the Municipal engineer, Mr Bright, was opened.
Time has not been kind to the old Library building. At one time it served as a restaurant, then club and by 2013 was derelict when a fire broke out and destroyed what remained of the Library.
Today only the outer walls remain. The original main entrance doors are in safekeeping with the Ekurhuleni Metropolitan Municipality.
Participation of South African citizens in the Great War (World War I 1914-1919) was voluntary. This made the losses sustained all the more poignant. The Germiston Cenotaph was unveiled on 24 October 1924, dedicated "to our Glorious dead." The designer has not been traced yet, but the design has a very clear relationship with the London Cenotaph designed by Sir Edwin Lutyens and unveiled in 1920. Many more cenotaphs were modelled on the mould of the Lutyens design and include that of Hong Kong. Auckland, Toronto, and Hamilton, Bermuda. The Germiston Cenotaph therefore is a member of an international family of cenotaphs, all following the same basic design.
The Cenotaph has also suffered from the ravages of time and abandonment. The bronze plaques were stolen in 2013. It now stands abandoned and vandalised.
The Cenotaph (Nicholas Clarke)
Plans to convert the Carnegie Library site to use as a theatre go back as far as 2010. It has been the flagship project to kick-start urban renewal in the Germiston centre, a project that is being undertaken with, in part, advice from the city of Breda in The Netherlands.
For the theatre, consultants were appointed to develop a design and approval processes were started. When the consultants failed to bring the project to completion within their contract period it was put on hold. New consultants were appointed to complete the project. This new team found that, due to poor soil conditions, excavations for the new building would very likely lead to collapse of the existing ruin - and this was definitely not on the cards! The architect, KWPCreate, recommended a redesign based on the principles of the first design. This process has now been undertaken with input of heritage practitioners Cultmatrix. KWPCreate have redesigned the project within the bounds of the original project that include seating for 420 theatregoers, but the new design contains a second informal theatre space in the foyer.
As part of the process Cultmatrix compiled a list of recommendations that form part of the application to the Provincial Heritage Resources Agency. They are, for the remainder of the Carnegie Library:
- The important character-bearing main façades of the Carnegie and their constituent components including window frames and mouldings are to remain in tact.
- The original main entrance doors (in storage with Ekurhuleni Metro) be reinstated as non-operable as permanent fixture.
- The main façade of the Carnegie Library is to receive permanent structural support BEFORE construction of the theatre is to commence. This structural system is to remain in-tact after completion of the project as a permanent buttressing and serve as designed part of the internal gallery space.
- The main façade of the Carnegie Library is to remain free-standing inside the theatre and not carry any new structural loads.
- No new openings are to be made into the retained heritage fabric.
- The main axial approach to the old Library be retained as the main entrance to the new theatre.
- The Carnegie Library façade be visible from outside yet placed within a protected interior environment.
- The Carnegie Library façade be restored using non-abrasive methods (i.e. warm water and soap and soft nylon brushes) and not be chemically sealed.
- A 300mm ventilation gap be left along the full length of the outside the Carnegie Library wall as counter measure to eliminate potential damage through moisture building due to changing floor levels.
- The library was built with Kirkness Bricks and where demotion takes place these will be salvaged and re-used in the theatre foyer. This design will be concluded once the volume thereof is known.
For the remainder of the public open space:
- The maximum achievable open space be retained as public square in front of the new Theatre.
- The War Memorial should retain its spatial prominence in the public space and the theatre entrance respond axially to it.
The intention of Ekurhuleni Metro is to restore the memorial. Recommendations in this regard are:
- The Commonwealth War Memorial be cleaned: Warm water and sugar-soap with a soft nylon brush to be used to clean the stonework. All joints to be repaired. where loose, with hard mortar.
- The replicas of the stolen brass plaques be installed.
- The Commonwealth Memorial forms an integral part of the landscape design for the remainder of the square.
- A commemoration of the African contribution to the war effort of the First World War be added to the extant memorial.
Fortunately records exist of the stolen brass plaques (the good work of the volunteers of the Genealogical Society of SA)
Demolition work is set to start on site and will only, at first, affect the back walls of the Library. This is required to allow for piling machines to gain access to the inside of the building. This piling is to carry permanent steel bracing which will structurally support the existing walls during the further construction process. They will remain in place and form a permanent feature of the foyer of the new theatre. The main façade of the library will be retained. Only back walls will be sacrificed. Construction of the new theatre is set to start in November 2014 by which time all approvals will have been granted. The Architects, engineers, heritage consultants and the local authority are all working together to make this an exceptional project, turning past tragedy into future civic renewal.
The ground-floor plan of the proposed library showing the incorporation of the remaining walls of the old Carnegie Library
For more information or if you have any questions relating to the heritage or adaptive re-use of the site please contact Nicholas Clarke at email@example.com. PLEASE NOTE: NO TRADE QUESTIONS WILL BE ANSWERED.